" " " paul harding: August 2010 "

Monday, August 30, 2010

Mastering the ISDA Master Agreement: A Practical Guidefor Negotiation (Market Editions)

Mastering the ISDA Master Agreement: A Practical Guidefor Negotiation (Market Editions) Review






Mastering the ISDA Master Agreement: A Practical Guidefor Negotiation (Market Editions) Overview


Provides a practical, clear and useful foundation for the fledgling negotiator as well as supporting them with a good overview of the legal, credit and operational issues inherent in the ISDA Master Agreement. Softcover.


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Thursday, August 26, 2010

Analysis of The Sunflowers - Vincent van Gogh

Vincent's Sunflowers

"The sunflower is mine in a way." -Vincent van Gogh

Van Gogh's "Sunflowers" are among his most famous paintings, but few people realize he did many sunflower pictures, not just the most famous "Vase with Twelve Sunflowers" and "Vase with Fifteen Sunflowers." These were canvases he made to decorate the Yellow House in Arles in anticipation of his friend Paul Gauguin's visit, and in the hope that other artists would follow and form a Utopian art community. Some of Vincent's sunflower paintings are all but indistinguishable, with only tiny differences to prove one reproduction is different from the next. During his stay in Paris, he painted cut sunflowers in different stages of being, from fresh to wilted to dry.

He appears to have brought his passion for sunflowers with him from his homeland in Holland wherever he roamed, and indeed, they make the kind of dramatic subject he loved. Around the world today, the sunflower is synonymous with Vincent's work, immediately recognizable and every bit as much his own as the water lilies belonging to Monet.

Vincent's "Sunflowers No. 2," the most famous sunflower still life, yellow on yellow, possesses the same universal appeal and impact of all his most beloved pictures. So widespread is the appeal of his sunflowers, in fact, that in 1987, a Japanese company paid a record of the equivalent of almost 40 million dollars for "Vase with Fifteen Sunflowers" at an auction. Van Gogh's many sunflower canvases are flung all over the world in testimony to his mastery, now residing in art galleries in Europe, London and Tokyo, to name a few.

During his stay in Paris, Vincent hobnobbed with some of the greatest Impressionist painters of the period. The artists all had a great effect on one another, including van Gogh, who was recognized as a formidable genius by "Les Vingt," Monet and Toulouse Lautrec, among others. One can readily discern the Paris sunflowers from the ones Vincent painted later, in the Yellow House at Arles, since they are cut flowers without vases. These cut sunflowers are depicted in various stages of wilting, but Vincent's final bright and bold color palette is evident at this point in his artistic development, permeating the pictures with life and joy.

The master's influence on western art and artists cannot be overstated. His work bridged impressionism, expressionism, cubism and more with a unique language understood by all lovers of beauty and truth. The enormous popularity of a simple vase of sunflowers attests to his power and sincerity.

Though Vincent was plagued by a serious mental imbalance and eventually took his own life, he left a body of over 2,000 canvases, painted in about a decade, as a living legacy. Whether they represent his portrayals of living fields of wheat or swirling stars, tender and thoughtful portraits of the peasants he loved or starkly vivid flowers in a simple vase, his works all bear his own stylistic imprint. Seen as a superb form of communication of the spirit, his work succeeded beyond his wildest dreams to comfort and console humanity through art. It is through his paintings, not his over-romanticized, beleaguered life, that he should be judged as the poet, prophet and master artist he was.

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Sunday, August 22, 2010

In Other Rooms, Other Wonders

In Other Rooms, Other Wonders Review



Mr. Mueenuddin's writing is outstanding. The settings for each of the stories in "In Other Rooms, Other Wonders" are particular and strange and beautiful. His characters range from maids to mistresses and much more in between, and he has a gift for describing the nuances of relationships, especially the transparent beginnings. [The book won won the regional prize for Best First Book of the 2010 Commonwealth Awards, though not the overall prize, although it had a finer title than any other nominee in any category.]

While I found all of the stories compelling and articulate, I was especially drawn to the ones describing the servant classes, because these aren't the stories usually told: Saleema is a maid in a large household, a bright, sexy, and sharp young thing. Nawabdin is a clever and adept electrician, with a prized possession to protect. My favourite was "A Spoiled Man" about Rezak, a solitary hardy old man who carries his little house with him everywhere he goes.

Perhaps the most startling and wonderful aspect of IOR,OW is the view it gives of feudal (and sometimes fancy) Pakistan. Mohsin Hamid's "Moth Smoke" was the first time I had ever heard of the elite ecstatic set in Lahore (of course they're everywhere). IOR,OW shows us this side (in "Lilly" and "Our Lady of Paris") but spends much more time in the countryside (such lovely intense detail), on the farms, in villages, and inside vicious and hierarchical servant quarters.

My only complaint was the often abrupt endings of many of the stories. The stories are longer than usual - they feel like mini-novellas - and so then, after such length and intricacy, I was disappointed by how suddenly a story like "Saleema" or "In Other Rooms, Other Wonders" could end, or why a story like "Provide Provide" ends by detailing the fate of a side character that the reader has been given little reason to care about.

I also felt that most of the women characters had no agency (though I understand the integrity and reality of this) nor any trajectory of change or possibility in their lives. Saleema peters out, Lily's end is baffling and regressive (while her male lead swells into a hero, salt of the earth, pedigreed, of course, and noble), Husna is stymied, and Zainab abandoned. This is all fine and real, but there was something tragic or futile about them that I didn't feel in the male characters.

That all said: brill first book, brill book altogether. I'll look forward to the next.



In Other Rooms, Other Wonders Feature


  • ISBN13: 9780393337204
  • Condition: New
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In Other Rooms, Other Wonders Overview


Finalist for the 2009 National Book Award in Fiction and the 2009 Los Angeles Times Art Seidenbaum Award for First Fiction. “The rural rootedness and gentle humour of R.K. Narayan with the literary sophistication and stylishness of Jhumpa Lahiri.”—Financial Times Passing from the mannered drawing rooms of Pakistan’s cities to the harsh mud villages beyond, Daniyal Mueenuddin’s linked stories describe the interwoven lives of an aging feudal landowner, his servants and managers, and his extended family, industrialists who have lost touch with the land. In the spirit of Joyce’s Dubliners and Turgenev’s A Sportsman’s Sketches, these stories comprehensively illuminate a world, describing members of parliament and farm workers, Islamabad society girls and desperate servant women. A hard-driven politician at the height of his powers falls critically ill and seeks to perpetuate his legacy; a girl from a declining Lahori family becomes a wealthy relative’s mistress, thinking there will be no cost; an electrician confronts a violent assailant in order to protect his most valuable possession; a maidservant who advances herself through sexual favors unexpectedly falls in love.

Together the stories in In Other Rooms, Other Wonders make up a vivid portrait of feudal Pakistan, describing the advantages and constraints of social station, the dissolution of old ways, and the shock of change. Refined, sensuous, by turn humorous, elegiac, and tragic, Mueenuddin evokes the complexities of the Pakistani feudal order as it is undermined and transformed.


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Wednesday, August 18, 2010

We Didn't Start the Fire - Obama Isn't the First Black President

The Black Question

Is President-elect Obama the first Black President? For that matter, was JFK the first Irish President? Was there ever a Jewish President? Was J. Edgar Hoover Black? Was there a Black Founding Father? How do you define Black?

The Preliminary

Before we get to the first Black President, let's discuss the other ethnic questions. JFK was not the first Irish President but the first Irish Catholic (or Green Irish) President. Actually, there were six other Irish Presidents before JFK who were Protestants (Orange Irish). In a similar fashion, there were Jewish Presidents - yep, precisely two Jewish Presidents - Teddy Roosevelt and FDR.

Say what?

I'm not mistaken - I am able to provide references and peer reviewed historical sources for my assertion. Both sides (paternal and maternal) of the Roosevelts were Jewish. This is important because a person is deemed Jewish only if his/her maternal line is Jewish or s/he converts to Judaism. For example, the Legendary Reggae Singer Hon. Robert Nesta Marley's father was Jewish (born in England of Syrian descent) but he would not qualify as a Jew because his mother is a Gentile (Afro-Jamaican). Similarly, Jamaican Rapper Sean Paul Henriques' (attended a private Jewish School - Hillel Academy located in Kingston, Jamaica) father is Jewish but his mother is a Gentile (Chinese Jamaican). As a matter of fact, Jamaica's Chief Rabbi Ainsley Cohen Henriques is Sean Paul's granduncle. Sean Paul wouldn't be considered Jewish unless he converts (or his mother converted before he was born) because of his maternal line as per the Orthodox Rabbinical Law. In my case, I am a Jew because my maternal line (mother's mother's mother) is Jewish although my paternal line (father's father's father) is Maroon. Sir Winston Churchill's was Jewish because his mother (born in Brooklyn, New York) was an Ashkenazi Jew. Great Britain's Prince Charles isn't a Jew although his paternal family tree contains a Jewish branch as well as an Indian branch and a Black (via Pushkin's daughter) branch. British Prime Minister Benjamin Disraeli was Jewish although he practiced the Christian religion since the day his father converted to Christianity due to a dispute with the English Jewish Community Leadership.

I digress; returning to the Roosevelts. The Roosevelt family is actually the Rosenfeld family (a Sephardic Jewish family) of Spain. They migrated from Spain to Holland (once under Spanish rule) before they finally migrated to New York. The rest is history as we would say.... I must add the Roosevelts worshiped at the Episcopalian Church during their lifetime. Let's not forget that former Republican Virginia Governor George "Macaca" Allen is Jewish because his mother was a Sephardic Jew born and raised in North Africa. As a matter of fact, Governor Allen's maternal grandfather was briefly detained by the Nazis because of his Jewish background. Today, Governor Allen practiced the Christian religion although some would argue that he is not exactly Christ-like. What would Jesus do in light of Governor Allen's 'Macaca' moments?

The Definition of Blackness

Before we return to the Black Presidents, let's look on Founding Father Alexander Hamilton and FBI Director J. Edgar Hoover. Alexander Hamilton was an Octoroon (8 parts Black) who was born and raised in the British West Indies. J. Edgar Hoover was adopted by the Hoover family and was raised in Washington D.C. However, as per irrefutable documentation, J. Edgar Hoover had a Black biological grandfather who lived in the segregated South. I hope I didn't offend my fellow Blacks that one of us sabotaged the great Hon. Marcus Mosiah Garvey (my greatest personal hero since the Christ); Malcolm X, and MLK. Yes, Mr. Hoover was hiding a lot more in his "closet" besides the dresses, the Halloween fairy costumes, skeletons and buried bodies.

Spit it out already - the first Black President?

In the United States, the definition of Blackness is the one drop of blood rule, and you're Black by nature and not by nurture. If not, President-elect Obama would be White (50% White and 50% Black - nature; he was born and raised in a White home and with White values - nurture) instead of Black.

The preceding paragraph brings to mind, "Kittens born in an oven don't make them biscuits," responded William Butler Yeats to criticisms attacking him for distancing himself from his Irish heritage (he's of an Orange Irish background). At least it's not like Tiger Woods stating "I'm not Black. I'm just a quarter Black and three quarter Thai [his mother is full Thai and his late father is half Black and half Thai]." Or worse, a famous Brazilian personality trying to convince a foreign interviewer that Soccer Legend Pele is not Black -

Brazilian Personality: "Brazilians (White or otherwise) doesn't see Pele as a Negro. He is a national hero and a national treasure to the Brazilian people. We are colorblind as far as Pele is concerned."

Foreign Interviewer: "Would it have anything to do with the Latin/South American phrase (as it pertains to race relations in Latin America), 'Money whitens...?'"

Brazilian Personality: "No, Pele is very elevated in Brazil. As a matter of fact, Muhammad Ali and Michael Jordan are so popular in your country that my White American friends stated that they don't see them as Negroes. Wouldn't you agree?"

Foreign Interviewer: "I wouldn't mistake their skin's color for a great tan." Would you?

The Solution - the Proof - the Drum Roll....

There were five Black Presidents before President-elect Barack Obama: Thomas Jefferson; Andrew Jackson; Abraham Lincoln; Warren Harding, and Calvin Coolidge. No, Bill Clinton is not the first Black President although he is an honorary Black President. With all his warts, the Black community accepts him as a 'brother'- welcome to Harlem, Mr. President - we still love you.

First, Thomas Jefferson's mother was a half-Native Indian and his father had Black heritage. Second, Andrew Jackson's mother was Irish and his father had Black heritage (Andrew Jackson's brother was of a much darker complexion). Third, Abraham Lincoln's mother had Ethiopian heritage and there was a lot of contemporary media speculation about Lincoln's paternity (his father was sterile from childhood mumps and was later castrated; his real father was speculated to be Black) during his Presidential Campaign. He was nicknamed Africanus the First in the newspapers during his lifetime. Fourth, Warren Harding never denied his Black ancestry even when he was challenged in a public forum. According to Dr. Leroy Vaughn, M.D., M.B.A.,

"William Chancellor, a White professor of economics and politics at Wooster College in Ohio, wrote a book on the Harding family genealogy and identified Black ancestors among both parents of President Harding. Justice Department agents allegedly bought and destroyed all copies of this book. Chancellor also said that Harding's only academic credentials included education at Iberia College, which was founded in order to educate fugitive slaves."

Fifth, Calvin Coolidge mother's maiden name was Moor. She was of mixed Native Indian and Black ancestry from New England.

Dr. Leroy Vaughn, M.D., M.B.A. continued,

"All of the presidents mentioned were able to pass for White and never acknowledged their Black ancestry. Millions of other children who were descendants of former slaves have also been able to pass for White. American society has had so much interracial mixing that books such as "The Bell Curve"[co-authored by American Enterprise Institute's Dr. Charles Murray - the author of "Losing Ground"], discussing IQ evaluations based solely on race, are totally unrealistic."

I highly recommend his powerful book - Black People & their Place in World History: a Dynamic, Honest and Powerful View of Black History. Unfortunately it's not required reading in the American Public School system.

The Conclusion

In conclusion, science tells us that the Cradle of the Human Race is in Sub-Saharan Africa (exactly, Ethiopia - derived from the Greek for "Burnt Faces"). In addition, scientific study researchers discovered that "blue eyes are the result of a genetic mutation that likely occurred between 6,000 and 10,000 years ago." Copenhagen University's Prof. Hans Eiberg stated, "Originally, we all had brown eyes." As a matter fact, scientists postulate that all blue eyed individuals shared one common ancestor.

The Afterthought - the Barbarism of Racism (Reverse or Otherwise) as per this author

In closing, no one should sacrifice another 'identity' group on the altar of 'identity' ideology in the glorification of their 'identity' idol worship. To the point, no one (or group) should promote reverse discrimination (persecution and humiliation of other groups); often feels his/her racism (in spite of its inherent illegality, immorality and barbarity) is justified because of the "atrocities endured by their identity group." If not, he/she who racially discriminates against one individual discriminates against all humanity. After all, don't we belong to the human race? Didn't we descend from the 'cradle' (both Biblically and scientifically) of Mother Africa?

Hail Obama, the Next President of the Great U.S. of A.

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Saturday, August 14, 2010

"Make Mine Freedom" Cartoon (1948)

In 1948 HARDING COLLEGE produced this animated cartoon heralding the principles of freedom that made this country great and defining the threats posed by excessive government to these same freedoms. The cartoon explained in a simple, entertaining way how FREE ENTERPRISE built this nation and transformed it into the envy of the world. The applicability of this cartoon today is uncanny! Check it out.

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Tuesday, August 10, 2010

Raise a little Hell-HARDSTOCK-08 Fundraiser for Scotty Hard

Ra McGuire from trooper, Craig Northey & Doug Elliott quitar & bass from The Odds. Paul Hyde (Payola$, Rock & Hyde), Barney Bentall and Colin Nairne,Simon Kendall, Pat Steward n , John Mann's son Harlan and more. DONATE TO SCOTTY HARD TODAY www.scottyhardtrust.com brought to you by www.5440forever.com

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Friday, August 6, 2010

Pendulum Crush Bass Cover

This is my cover of Pendulum's song Crush from their third studio album Immersion. I played this on my BC Rich Mockingbird NJ Neck-Thru Series bass. I know that the A and D string seem out of tune and that I am possibly playing some parts wrong but I will re-do this as soon as I can and will try to improve on it. Hopefully you'll enjoy my cover and please watch some of my other covers. Comment, Like and Subscribe.

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Monday, August 2, 2010

Pendulum Witchcraft Bass Cover

My cover of Pendulum's second single Witchcraft from their third studio album Immersion. This is the first cover of this song on Bass. Mainly covered this for Katie because she is the most amazing, wonderful person ever =]. Played this on my BC Rich Mockingbird NJ Neck-Thru Series bass. Like, Comment and Subscribe.

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